Galeria Municipal do Porto

Music Between Companion Species
May - November 2023

Music between Companion Species is a series of concerts conceived and performed for and with dogs, their human companions and other more-than-human presences who may join these sessions. Inspired by Donna J. Haraway’s Companion Species Manifesto and by cientific studies about dog’s preferences for sound and music, the concerts will take into account these animals’ unique sensibilities and hearing capabilities. Curated by Lovers & Lollypops.

Curated by Lovers & Lollypops

Paulo Cunha e Silva Art Prize
17.06-20.08.2023

Created by the City Council as a tribute to the late Councillor for Culture Paulo Cunha e Silva (1962 – 2015), a central figure for the city’s artistic life, the award, held every two years in Porto, recognises the talent of new generations of national and international artists. This year’s edition underlines the Prize’s commitment to fostering creation and cultural exchange by establishing a partnership with three world-recognised residency programmes: Arquipélago Centro de Artes in S. Miguel, Azores, Cove Park, on Scotland’s west coast, and Pivô, in São Paulo, will all host one of the nominated artists, appointed by a jury of three members.

The Nominators for the 2023 edition of the Art Prize are:
Artist Ângela Ferreira, Jan van Eyck Academie Director Hicham Khalidi, and cultural programmer Tabitha Thorlu-Bandura.

With
Euridice Kala, Márilu Namoda and Luis Santos (nominated by Ângela Ferreira); Rouzbeh Akhbari, Kent Chan and Hira Nabi (nominated by Hicham Khalidi) and Maren Karlson, Malik Nashad Sharpe aka Marikiscrycrycry, and Eve Stainton (nominated by Tabitha Thorlu-Bandura).

Duet
Maria Paz and Joan Jonas
16.09 – 19.11.2023

Duet is an invitation for two artists to share an exhibition space. It started as a proposal for a young artist from Porto to think of an artist they would like to share an exhibition with. Recalling the impact of her survey show at the Serralves Museum, Maria Paz invited Joan Jonas to share the exhibition space of the Galeria Municipal do Porto. In this transatlantic exchange of generations, the two artists will reveal their common investigations of forms, colours and materials.

Curadoria de Filipa Ramos

The Sylvan and Harsh North
09.12.2023 – 10.03.2024

What are the meteorological patterns, the myths and stories, the rhythms, colours and shapes, the human and nonhuman inhabitants that make up the Iberian Northwest, in its reality and fiction?
Wondering about the rituals and expressive modes of people, animals, plants, elements and minerals, we went looking for the roots, terminations and tentacles of the Iberian Northwest, trying to locate the places where they might reside. In doing so, we considered the past but above all faced the present-future of these concrete and imagined spaces between seas, woods and settlements. The Sylvan and Harsh North is an exhibition that follows roads and lines of intensity, centrifugal forces that take us beyond Porto, towards those supposed margins where permutations erupt, to discover and share the references, stories, words and connections to these places with a long past and an even longer future.

Curated by Filipa Ramos and Juan Luis Toboso

PING! / Terrários de Cristal, with Samuel Wenceslau

In early autumn, in the greenhouses of the Crystal Palace, the PINGs! built Wardian boxes, which brought together natural elements from the gardens and images from the First Portuguese Colonial Exhibition.

Samuel Wenceslau has a deep interest in nature, in particular Brazilian botany, exploring organic forms and lines in collages, drawings, photographs, paintings, objects and other graphic creations. As he is also artistic director and producer of the Kebraku Collective, Wenceslau created the Graphic Studiolo, a graphic inventory of natural forms from the flora of South America and, more recently, Europe. "My plates look botanical, but the classifications I used are all imagined," he says. Apart from the technical side, he distinguishes himself from traditional botany by his refusal of perfection. He doesn't look for leaves or flowers that are intact, but those that show the "interference of time and nature".