A train travels across the African continent, but the passengers are not just people: they are stolen histories, artefacts ripped from their lands and confined in European museum showcases. Each stop reveals sounds echoing from absence, each sound representing the voice of stolen statues, the whisper of silenced masks. The audience is invited to embark on a reflection on Afro-diasporic immigration, displaced bodies and statues imprisoned by a colonial past. A journey that challenges the boundaries of time and space, revealing the weight of history at every stop. The performers are the guides on this journey. Their interaction with the "Timelapse" installation serves as a symbolic manifestation of the stolen artefacts, the bodies displaced from their territories.
Poka Terra. Poka Terra. Tchu Tchu.
Part of the activations programme of the piece "Timelapse".
Venue: GMP, Floor 1
Admission is free.
Age rating to be assigned.
Isabél Zuaa is a multidisciplinary artist born in Lisbon, with origins in Guinea-Bissau and Angola. Her artistic research focuses on dramaturgies in which black people are the protagonists and hosts of their own narratives, and on mapping invisible biographies.
She studied acting at Chapitô, Escola Superior de Teatro e Cinema and Unirio. Since 2010, she has been working in theatre, film, television and performance, developing projects in Portugal, Brazil and Italy.
In 2019 she founded the collective Aurora Negra, together with Cleo Diára and Nádia Yracema. The group debuted with Aurora Negra (2020), followed by COSMOS (2022) and Missão da Missão (2023). They also created the KILOMBO Festival, the first edition of which was held at the Espaço Alkantara (2021) and the second at the São Luiz Theatre (2023), in partnership with the Alkantara Festival. Isabél is co-founder of UNA - União Negra das Artes.
At film festivals, she won the Best Supporting Actress award at Cineuphoria in 2023 (Pedro's Journey); the Guarani Award for Best Actress in 2022 (A Yellow Animal); the Best Actress award at the Gramado Festival in 2020 (A Yellow Animal and for the film Deserto Estrangeiro). She has also received honourable mentions at the Los Angeles Brazilian Film Festival and prizes at festivals such as Sitges, Zinegoak and Fest Aruanda.
Mauro Hermínio is a Portuguese actor of Mozambican origin whose career spans theatre, film and television, combined with a strong activism for black representation. He graduated from the Escola Superior de Teatro e Cinema and also studied at the Impetus Actors School and the Escola Superior de Tecnologias e Artes in Lisbon. In television, he stood out in productions such as 'A Única Mulher' (TVI) and 'Vidas Opostas' (SIC). In cinema, he is known for films such as Mutant Blast (2018), Frágil (2019) and Ruth (2018), by António Pinhão Botelho. In the theatre, he has shown his versatility in plays such as 'Sweet Bird of Youth' (2015), by Tennessee Williams, directed by Jorge Silva Melo, and 'Imperatore 2.0' (2018), by Pedro Sousa Loureiro. He also wrote and performed the monologue 'Noman' (2014). He participated in the play 'Negros' with the GRIOT company, directed by Rogério Carvalho, which explores the experience of being black in a predominantly white country.