Programmes
Mónica de Miranda
Mónica de Miranda
Depth of Field
Curated by João Laia and Nuno Crespo
Spanning video, performance and installation, Mónica de Miranda's exhibition questions the division between presence and dissociation; distraction and connection; utopia and memory. It inhabits a time that resides within the space between fiction and reality, where the potential to rewrite history and think about alternative futures intersect in the discursive and performative actions proposed as part of the project.
29.03 - 15.06.2025
29.03 - 15.06.2025

Saturday, March 29th starting at 6pm
Opening: Depth of Field
Mónica de Miranda (1976, Porto, Portugal) is a Portuguese artist of Angolan origin who lives between Lisbon and Luanda. A filmmaker, artist and researcher, she works in an interdisciplinary manner, with drawing, installation, photography, film, video and sound in their expanded forms, on the border between fiction and documentary. She was Portugal's representative at the 60th Venice Biennale in 2024.

Sunday, March 30th at 11 am
Depth of Field: Guided exhibition tour with Mónica de Miranda
Following the opening of Depth of Field, Mónica de Miranda will lead a guided exhibition tour. This will be an opportunity to learn more about some of the ideas behind the project, curated by João Laia and Nuno Crespo.

Saturday, April 5th, at 5pm
Depth of Field: Contra Ponto, by Tristany Mundu
Tristany Mundu's performance proposes the construction of a symbolic and imaginary route, taken by two performers in an equally imaginary vehicle.
The journey contrasts the physicality of their bodies in space with the presence and singular meanings of Mónica de Miranda's works, inviting us to reflect on the relationship between nature and the human and the different dimensions of this dynamic.
Part of the activations programme of the piece "Timelapse".

Saturday, April 12th, at 5pm
Depth of Field: Migro, logo existo - Interstícios Do Não-ser, by Marinho Pina, Puma Andrade and Edvania Moreno
In "Migro, logo existo: Interstícios do Não-Ser" [I migrate, therefore I exist: interstices of non-being], Marinho Pina questions the struggle for private property - physical, cultural, ideological and/or identity - that makes us forget to look at the 'interstices of non-being', the non-place where universes of possibilities and opportunities reside to break down barriers, whether visible or invisible, and reinvent what it means to be human.
"Migro, logo existo: Interstícios do Não-Ser" is part of the programme of activations for the installation "Timelapse", part of the exhibition "Depth of Field" by Mónica de Miranda.

Saturday, May 3rd, at 4pm
Guided exhibition tours
On this Saturday, there will be guided tours of the exhibitions on show at Galeria Municipal do Porto:
Deep Scarlet, Scream Ruby - The Freestanding Joys, by Pauline Curnier Jardin
Depth of Field, by Mónica de Miranda
Primal Form, by Francisco Pedro Oliveira
Deep Scarlet, Scream Ruby - The Freestanding Joys, by Pauline Curnier Jardin
Depth of Field, by Mónica de Miranda
Primal Form, by Francisco Pedro Oliveira

Saturday, May 17, at 5pm
[CANCELLED] Depth of Field: Artist talk with Mónica de Miranda and Isabél Zuaa
On the eve of the International Day of Museums and the Fascination of Plants, artists Mónica de Miranda and Isabél Zuaa join together for a conversation based on the exhibition "Depth of Field", which, like a shift in a tree, proposes the soil and the body as vectors of decolonial and ecological expression.
The various mobile sculptures in the exhibition will serve as a starting point for thinking about the interaction with the thought and practice of Amílcar Cabral, agronomist, poet and leader of the liberation struggle in Guinea-Bissau and Cape Verde, who proposed the soil as an active agent in historical processes.
An hour earlier, Isabél Zuaa and Mauro Hermínio will present the performance 'Pouca Terra', part of the cycle of activations for the play 'Intervalo temporal', included in the exhibition.

Saturday, May 17th, at 4pm
[CANCELLED] Depth of Field: Pouca Terra, by Isabél Zuaa and Mauro Hermínio
A train travels across the African continent, but the passengers are not just people: they are stolen histories, artefacts ripped from their lands and confined in European museum showcases. Each stop reveals sounds echoing from absence, each sound representing the voice of stolen statues, the whisper of silenced masks. The audience is invited to embark on a reflection on Afro-diasporic immigration, displaced bodies and statues imprisoned by a colonial past. A journey that challenges the boundaries of time and space, revealing the weight of history at every stop. The performers are the guides on this journey. Their interaction with the "Timelapse" installation serves as a symbolic manifestation of the stolen artefacts, the bodies displaced from their territories.
Poka Terra. Poka Terra. Tchu Tchu.
Part of the activations programme of the piece "Timelapse".

Saturday, May 24th, at 5pm
Depth of Field: Opera Ultra [SOUND], by Henrique J. Paris
Ultra [SOUND] opera works as a dissemination of touch in its sensorial, operational and dimensional driving forces — drawn from structures in the Black family, institutional orchestrations and systems of labour surrounding it: interplaying possibilities for epistemic rupture. The iteration journeys through ideas beyond 'service', 'server' or ‘servitude' staged within the context of Galeria Municipal do Porto at the multifaceted site converted onto a playground, garden and auditorium (simultaneously) by Monica de Miranda.
The starting point for the performance essay is J Paris' earlier sonic lecture series titled 'Humming as a Praxis' where he attended gentle sonic gestures as tools for renouncing public corporations rooted in colonial thought [during 2024] at the V&A Museum in Kensington (London) and Padrão dos Descobrimentos in Belém (Lisbon); exploring sounding in these site's tragic economies.
Part of the activations programme of the piece "Timelapse".

Thursday, May 29th, at 7pm
Depth of Field: A Decolonial Ecology - Lecture by Malcom Ferdinand
The world is in the midst of a storm that has shaped the history of modernity along a double rupture: on the one hand, an ecological fracture driven by a technocratic and capitalist civilisation that has led to the continuous devastation of the earth's ecosystems and its human and non-human communities, and on the other hand, a rupture installed by colonisation and Western imperialism that has led to racial slavery, the domination of indigenous peoples and women in particular.
In his book "A Decolonial Ecology - Thinking from the Caribbean World" (2019 Political Ecology Foundation Prize), Malcolm Ferdinand challenges this double fracture by thinking from the Caribbean world. The slave ship reveals the inequalities that continue during the storm: some are shackled in the hold or even thrown overboard at the first gust of wind. Drawing on empirical and theoretical research in the Caribbean, Ferdinand develops the concept of 'decolonial ecology', linking environmentalism to political struggles against (post)colonial domination, structural racism and misogynistic practices. In the face of the ecological storm emerging from the basement of modernity, this book proposes a reflection on the construction of a common world, shaped by humans and non-humans who can live together in justice.
As part of the Memoria de Elefante axis of ping! it dialogues with the exhibition Depth of Field by artist Mónica de Miranda, presenting a lecture by Malcom Ferdinand, one of today's most important thinkers.

Saturday, June 7th, at 4pm
Guided exhibition tours
On this Saturday, there will be guided tours of the exhibitions on show at Galeria Municipal do Porto:
Deep Scarlet, Scream Ruby - The Freestanding Joys, by Pauline Curnier Jardin
Depth of Field, by Mónica de Miranda
Primal Form, by Francisco Pedro Oliveira
Deep Scarlet, Scream Ruby - The Freestanding Joys, by Pauline Curnier Jardin
Depth of Field, by Mónica de Miranda
Primal Form, by Francisco Pedro Oliveira

Saturday, June 7, at 2:30 and 5pm
Depth of Field: Reverberações de um corpo-tela, by Wura Moraes
Wura Moraes' performance proposes to work on the principle of the canvas-body or body-image, as alluded to in Leda Maria Martins' book "Spiral Time Performances, Canvas-Body Poetics".
The Portuguese-Brazilian dancer and choreographer explores the production of images - visual, sonic and kinetic - using objects from her family archive to create compositions that evoke narratives, images and different temporal layers.
The props from this archive provide continuity and relate to the project that the artist has been developing: 'Confluências', in which she evokes the memory of her father Mário Calixto and her uncle Miltércio Santos, both dancers and creators.
Part of the activations programme of the piece "Timelapse".