Galeria Municipal do PortoGaleria Municipal do Porto

Programmes
Mónica de Miranda
Depth of Field
Curated by João Laia and Nuno Crespo
 
Spanning video, performance and installation, Mónica de Miranda's exhibition questions the division between presence and dissociation; distraction and connection; utopia and memory. It inhabits a time that resides within the space between fiction and reality, where the potential to rewrite history and think about alternative futures intersect in the discursive and performative actions proposed as part of the project.

29.03 - 15.06.2025

Saturday, March 29th starting at 6pm

Opening: Depth of Field

Mónica de Miranda (1976, Porto, Portugal) is a Portuguese artist of Angolan origin who lives between Lisbon and Luanda. A filmmaker, artist and researcher, she works in an interdisciplinary manner, with drawing, installation, photography, film, video and sound in their expanded forms, on the border between fiction and documentary. She was Portugal's representative at the 60th Venice Biennale in 2024.
Venue: GMP, Floor 1

Admission is free

Sunday, March 30th at 11 am

Depth of Field: Guided exhibition tour with Mónica de Miranda

Following the opening of Depth of Field, Mónica de Miranda will lead a guided exhibition tour. This will be an opportunity to learn more about some of the ideas behind the project, curated by João Laia and Nuno Crespo.
Venue: GMP, Floor 1

Admission is free.

Saturday, April 5th, at 5pm

Depth of Field: Contra Ponto, by Tristany Mundu

Tristany Mundu's performance proposes the construction of a symbolic and imaginary route, taken by two performers in an equally imaginary vehicle. 
The journey contrasts the physicality of their bodies in space with the presence and singular meanings of Mónica de Miranda's works, inviting us to reflect on the relationship between nature and the human and the different dimensions of this dynamic.

Part of the activations programme of the piece "Timelapse".
Venue: GMP, Floor 1

Admission is free.

Age rating to be assigned.

Tristany Mundu is a transdisciplinary artist born in 1995 in Linha de Sintra, Lisbon, with Angolan and Portuguese origins. He is a musician, performer, visual artist, producer, creative director and curator. His first album, Meia Riba Kalxa (2020), inspired visual series such as Baxu ku Riba and Au vivu. He made his debut as a visual artist with Interferências at MAAT, and curated the exhibition Meia Riba Kalxa na boka mundu at the Iminente Festival. Co-founder of the Unidigrazz collective, he has presented projects in Europe and works in different cultural spaces. He is currently developing the trilogy Cidade à volta da Cidade (2025), presented at CAM/Gulbenkian Foundation.

Photo: Ana Viotti
galeria

Saturday, April 12th, at 5pm

Depth of Field: Migro, logo existo - Interstícios Do Não-ser, by Marinho Pina, Puma Andrade and Edvania Moreno

In "Migro, logo existo: Interstícios do Não-Ser" [I migrate, therefore I exist: interstices of non-being], Marinho Pina questions the struggle for private property - physical, cultural, ideological and/or identity - that makes us forget to look at the 'interstices of non-being', the non-place where universes of possibilities and opportunities reside to break down barriers, whether visible or invisible, and reinvent what it means to be human.
 
"Migro, logo existo: Interstícios do Não-Ser" is part of the programme of activations for the installation "Timelapse", part of the exhibition "Depth of Field" by Mónica de Miranda.
Venue: GMP, Floor 1

Admission is free.

Age rating: over 6 years old

Born in Sonaco, Guinea-Bissau, Marinho de Pina is a storyteller who uses different formats: music, film, writing, poetry, dance, performance and architecture. As a performer, he has worked in various spaces throughout Portugal and beyond. Since 2017, he has been working with the Mediateca Abotcha project (Guinea-Bissau), in a programme of cultural creation of dreams and utopias with local communities, which aims to horizontalise knowledge. Recently, the film Ressonância em Espiral (Resonance in a Spiral), which he made in collaboration with Filipa César, was shown at the Berlinale in Berlin, DocFortnight MoMA in New York and Cinema du Réel - Centre Pompidou in Paris, where it was awarded the Libraries Prize sponsored by the French Ministry of Culture.

Saturday, May 3rd, at 4pm

Guided exhibition tours

On this Saturday, there will be guided tours of the exhibitions on show at Galeria Municipal do Porto: 
Deep Scarlet, Scream Ruby - The Freestanding Joys, by Pauline Curnier Jardin
Depth of Field, by Mónica de Miranda
Primal Form, by Francisco Pedro Oliveira
Admission is free.

Saturday, May 17, at 5pm

[CANCELLED] Depth of Field: Artist talk with Mónica de Miranda and Isabél Zuaa

On the eve of the International Day of Museums and the Fascination of Plants, artists Mónica de Miranda and Isabél Zuaa join together for a conversation based on the exhibition "Depth of Field", which, like a shift in a tree, proposes the soil and the body as vectors of decolonial and ecological expression. 
 
The various mobile sculptures in the exhibition will serve as a starting point for thinking about the interaction with the thought and practice of Amílcar Cabral, agronomist, poet and leader of the liberation struggle in Guinea-Bissau and Cape Verde, who proposed the soil as an active agent in historical processes.
 
An hour earlier, Isabél Zuaa and Mauro Hermínio will present the performance 'Pouca Terra', part of the cycle of activations for the play 'Intervalo temporal', included in the exhibition. 
 
Venue: GMP

Admission is free.

Portuguese filmmaker, researcher and artist of Angolan origin, Mónica de Miranda lives between Lisbon and Luanda and works with an interdisciplinary approach that includes drawing, installation, photography, film, video and sound in their extended forms and on the borders between fiction and documentary. She was Portugal's representative at the 60th Venice Biennale in 2024.

A multidisciplinary artist, Isabél Zuaa was born in Lisbon and has origins in Guinea-Bissau and Angola. Her artistic research focuses on dramaturgies in which black people are the protagonists and hosts of their own narratives and on mapping invisibilised biographies.
She trained in acting at Chapitô, Escola Superior de Teatro e Cinema and Unirio. Since 2010, she has worked in theatre, film, television and performance, developing projects in Portugal, Brazil and Italy.
In 2019, she founded the Aurora Negra collective, together with Cleo Diára and Nádia Yracema. The group debuted with Aurora Negra (2020), followed by COSMOS (2022) and Missão da Missão (2023) . They also created the KILOMBO Festival, the first edition of which took place at Espaço Alkantara (2021) and the second at the São Luiz Theatre (2023), in partnership with the Alkantara Festival. Isabél is a co-founder of UNA - União Negra das Artes.
In film festivals, in 2023 she won the Best Supporting Actress award at Cineuphoria (Pedro's Journey); in 2022 she won the Guarani Award for Best Actress (A Yellow Animal); in 2020 she won the Best Actress award at the Gramado Festival (A Yellow Animal and for the film Deserto Estrangeiro). She has also won honourable mentions at the Los Angeles Brazilian Film Festival and awards at festivals such as Sitges, Zinegoak and Fest Aruanda.

Saturday, May 17th, at 4pm

[CANCELLED] Depth of Field: Pouca Terra, by Isabél Zuaa and Mauro Hermínio

A train travels across the African continent, but the passengers are not just people: they are stolen histories, artefacts ripped from their lands and confined in European museum showcases. Each stop reveals sounds echoing from absence, each sound representing the voice of stolen statues, the whisper of silenced masks. The audience is invited to embark on a reflection on Afro-diasporic immigration, displaced bodies and statues imprisoned by a colonial past. A journey that challenges the boundaries of time and space, revealing the weight of history at every stop. The performers are the guides on this journey. Their interaction with the "Timelapse" installation serves as a symbolic manifestation of the stolen artefacts, the bodies displaced from their territories.
Poka Terra. Poka Terra. Tchu Tchu.

Part of the activations programme of the piece "Timelapse".
Venue: GMP, Floor 1

Admission is free.

Age rating to be assigned.

Isabél Zuaa is a multidisciplinary artist born in Lisbon, with origins in Guinea-Bissau and Angola. Her artistic research focuses on dramaturgies in which black people are the protagonists and hosts of their own narratives, and on mapping invisible biographies.
She studied acting at Chapitô, Escola Superior de Teatro e Cinema and Unirio. Since 2010, she has been working in theatre, film, television and performance, developing projects in Portugal, Brazil and Italy.
In 2019 she founded the collective Aurora Negra, together with Cleo Diára and Nádia Yracema. The group debuted with Aurora Negra (2020), followed by COSMOS (2022) and Missão da Missão (2023). They also created the KILOMBO Festival, the first edition of which was held at the Espaço Alkantara (2021) and the second at the São Luiz Theatre (2023), in partnership with the Alkantara Festival. Isabél is co-founder of UNA - União Negra das Artes.
At film festivals, she won the Best Supporting Actress award at Cineuphoria in 2023 (Pedro's Journey); the Guarani Award for Best Actress in 2022 (A Yellow Animal); the Best Actress award at the Gramado Festival in 2020 (A Yellow Animal and for the film Deserto Estrangeiro). She has also received honourable mentions at the Los Angeles Brazilian Film Festival and prizes at festivals such as Sitges, Zinegoak and Fest Aruanda.

Mauro Hermínio is a Portuguese actor of Mozambican origin whose career spans theatre, film and television, combined with a strong activism for black representation. He graduated from the Escola Superior de Teatro e Cinema and also studied at the Impetus Actors School and the Escola Superior de Tecnologias e Artes in Lisbon. In television, he stood out in productions such as 'A Única Mulher' (TVI) and 'Vidas Opostas' (SIC). In cinema, he is known for films such as Mutant Blast (2018), Frágil (2019) and Ruth (2018), by António Pinhão Botelho. In the theatre, he has shown his versatility in plays such as 'Sweet Bird of Youth' (2015), by Tennessee Williams, directed by Jorge Silva Melo, and 'Imperatore 2.0' (2018), by Pedro Sousa Loureiro. He also wrote and performed the monologue 'Noman' (2014). He participated in the play 'Negros' with the GRIOT company, directed by Rogério Carvalho, which explores the experience of being black in a predominantly white country.
 

Saturday, May 24th, at 5pm

Depth of Field: Opera Ultra [SOUND], by Henrique J. Paris

Ultra [SOUND] opera works as a dissemination of touch in its sensorial, operational and dimensional driving forces — drawn from structures in the Black family, institutional orchestrations and systems of labour surrounding it: interplaying possibilities for epistemic rupture. The iteration journeys through ideas beyond 'service', 'server' or ‘servitude' staged within the context of Galeria Municipal do Porto at the multifaceted site converted onto a playground, garden and auditorium (simultaneously) by Monica de Miranda. 
 
The starting point for the performance essay is J Paris' earlier sonic lecture series titled 'Humming as a Praxis' where he attended gentle sonic gestures as tools for renouncing public corporations rooted in colonial thought [during 2024] at the V&A Museum in Kensington (London) and Padrão dos Descobrimentos in Belém (Lisbon); exploring sounding in these site's tragic economies.


Part of the activations programme of the piece "Timelapse".
Venue: GMP, Floor 1

Admission is free.

Age rating to be assigned.

Henrique J Paris is a London-based artist-researcher dissecting philosophical, scenographic and architectonic frameworks in relation to [enacted] modes of power, moral codes and Christian discipleship. His practice seeks to push boundaries between visual media and social architectures across an array of mediums such as image-making, installations, performance, archiving and sound composition as sites of proclamation, re-memory and testimony. J. Paris' ongoing Investigation accentuates intricacies [tied] in-between stigmatized social experiences and modernity. He traces through imperial constructions & technologies of censorship to situate immersing modes of historiography, performativity and reinstitution — coding and/or decoding semantics of intimacy by passing public consciousness as well as authorships surpassing state authority.
 

Thursday, May 29th, at 7pm

Depth of Field: A Decolonial Ecology - Lecture by Malcom Ferdinand

The world is in the midst of a storm that has shaped the history of modernity along a double rupture: on the one hand, an ecological fracture driven by a technocratic and capitalist civilisation that has led to the continuous devastation of the earth's ecosystems and its human and non-human communities, and on the other hand, a rupture installed by colonisation and Western imperialism that has led to racial slavery, the domination of indigenous peoples and women in particular.
 
In his book "A Decolonial Ecology - Thinking from the Caribbean World" (2019 Political Ecology Foundation Prize), Malcolm Ferdinand challenges this double fracture by thinking from the Caribbean world. The slave ship reveals the inequalities that continue during the storm: some are shackled in the hold or even thrown overboard at the first gust of wind. Drawing on empirical and theoretical research in the Caribbean, Ferdinand develops the concept of 'decolonial ecology', linking environmentalism to political struggles against (post)colonial domination, structural racism and misogynistic practices. In the face of the ecological storm emerging from the basement of modernity, this book proposes a reflection on the construction of a common world, shaped by humans and non-humans who can live together in justice.
 
As part of the Memoria de Elefante axis of ping! it dialogues with the exhibition Depth of Field by artist Mónica de Miranda, presenting a lecture by Malcom Ferdinand, one of today's most important thinkers.
Venue: BMAG Auditorium

Admission is free.

Malcom Ferdinand was born in 1985 in Martinique. He holds a degree in Environmental Engineering from University College London and a PhD in Political Philosophy and Political Science from Université Paris Diderot. He received the Prix du Livre from the Fondation de l'Écologie Politique in 2019 for his book A decolonial ecology - Thinking from the Caribbean world. He is currently a researcher at the Centre National de la Recherche Scientifique and the Institut de Recherche Interdisciplinaire en Sciences Sociales at the Université Paris Dauphine-PSL.


Saturday, June 7th, at 4pm

Guided exhibition tours

On this Saturday, there will be guided tours of the exhibitions on show at Galeria Municipal do Porto: 
Deep Scarlet, Scream Ruby - The Freestanding Joys, by Pauline Curnier Jardin
Depth of Field, by Mónica de Miranda
Primal Form, by Francisco Pedro Oliveira
Admission is free.

Saturday, June 7, at 2:30 and 5pm

Depth of Field: Reverberações de um corpo-tela, by Wura Moraes

Wura Moraes' performance proposes to work on the principle of the canvas-body or body-image, as alluded to in Leda Maria Martins' book "Spiral Time Performances, Canvas-Body Poetics". 
 
The Portuguese-Brazilian dancer and choreographer explores the production of images - visual, sonic and kinetic - using objects from her family archive to create compositions that evoke narratives, images and different temporal layers. 
 
The props from this archive provide continuity and relate to the project that the artist has been developing: 'Confluências', in which she evokes the memory of her father Mário Calixto and her uncle Miltércio Santos, both dancers and creators.

Part of the activations programme of the piece "Timelapse".
Venue: GMP, Floor 1

Admission is free.

Age rating to be assigned.

Portuguese-Brazilian dancer and choreographer Wura Moraes graduated from Angel Vianna College (Brazil) and trained at École des Sables (Senegal), EDIT (Burkina Faso) and FAICC (Portugal). Together with Joana Lopes, she created Alienada and Agente and was a performer in Cribles7Live-Porto by Emmanuelle Huynh. In Bahia, together with Loke Wolf, she developed the contemporary dance research platform Autodidança. She coordinated AgitLAB (Águeda), curated by Paulina Almeida, co-produced LAMB - LAND ART MOVING BIENNAL with Malgosia Sus, coordinated Dance Temple and co-directed the performance trajectory Ilhas Suspensas with Darya Efrat, both for the Festival dos Canais (Aveiro), and created the solo CERN, presented in Águeda and Marrakech. As a performer she has taken part in Gil Mac's NKISI, Time Capsule at JAB/Croatia, Dori Nigro's Serei/Afrodiaspórica, the Plastic Art Performance Collective's Eco_Movements (Romania), Charles Cardin-Bourbeau's Un Enclos (pour l'impératrice), Calixto Neto's Feijoada and the Greenhouse project with Mónica de Miranda. In co-production with the DDD 2024 Festival, she premiered HENDA I XALA, part of the major project Confluências, in honour of her father Mário Calixto (1960-1996), a dancer and choreographer.

Photography: Tiago Rodriguez

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